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Christie Contemporary is pleased to present to meet, or meet again, an exhibition of work by Erika DeFreitas, in her first solo exhibition with the gallery, opening Friday, September 10 and continuing until October 16, 2021. 

Erika DeFreitas embeds an indexing of gesture within her work, often at odds with expectation — illustrated sound, unfixed collage, a set of stills documenting motion. Often conceived as serial arrays, individual images in combination acquire a considered cadence on viewing, where time slows or quickens to delineate the contours of an idea. The video work entitled, studies for gardens, cycles through a series of delicately spontaneous collage propositions, assembled and erased through gesture, as a kind of endless generator of possible landscapes, while the suite of photographs taking as its title Zora Neale Hurston’s quote, I am not tragically colored, comprises nine images, each silently representing a component syllable of the declaration — a visual utterance, slowed to the point of insistence, in a gesture that extends beyond the limits of the visible frame. 

studies for gardens (each form is the fixed snapshot of a process), 2017-2020 single channel video; 12:38 minutes, colour, no sound, edition of 5

studies for gardens (each form is the fixed snapshot of a process), 2017-2020
single channel video; 12:38 minutes, colour, no sound, edition of 5

I am not tragically colored (After Zora Neale Hurston), 2013-2014* nine archival inkjet prints, etched Plexiglas; edition of 5 30 x 20 inches each; 5 x 8 inches each  *The gallery would like to thank Dr. Kenneth Montague for his generous loan of thi…

I am not tragically colored (After Zora Neale Hurston), 2013-2014*
nine archival inkjet prints, etched Plexiglas; edition of 5
30 x 20 inches each; 5 x 8 inches each

*The gallery would like to thank Dr. Kenneth Montague for his generous loan of this work from the Wedge Collection on the occasion of  this exhibition.

[LEFT] to enrapt/to unfold, 2019 diptych; photolithographs on Kozuke paper, edition of 8 25 x 18 inches[RIGHT] she remains monumentally self-contained No. 2, 2020 diptych; archival inkjet prints, edition of 5 12 x 18 inches each

[LEFT] to enrapt/to unfold, 2019
diptych; photolithographs on Kozuke paper, edition of 8
25 x 18 inches

[RIGHT] she remains monumentally self-contained No. 2, 2020
diptych; archival inkjet prints, edition of 5
12 x 18 inches each

she may be moved and they multiplied most in exaggeration, 2019 five archival inkjet prints (three on view), edition of 5 18 x 28 inches each

she may be moved and they multiplied most in exaggeration, 2019
five archival inkjet prints (three on view), edition of 5
18 x 28 inches each