Applied schematics such as architectural plans, technical diagrams, instructional drawings, maps and charts render specific utility, connecting aim to achievement. The works in this exhibition suggest a precursor, as a grouping of informal, process-oriented “schemas-in-the-making.” Unfolding in absence of teleos, their purposes are at most emergent, and only partially legible. The exhibition seeks to activate an affective assembly — where the models perform, in concordance with their internal inflections, while also acquiring a contingent harmonization, as an experimental orchestration of implications.

BRIAN BOIGON
*Retinal Circus: Act II, III*
2022
collage, encaustic, LED lights, found objects, graphite on board
11 x 14 inches

CONNIE WILSON
*Soccer ball head*
2022
brass, soccer ball
66 x 8 x 8 inches
*Mirror ball head*
2022
brass, mirror ball, flagpole
dimensions variable

IAN CARR-HARRIS
*Euclid 1.47*
2022
wood, paint
35 x 49 x 29.5 inches

IAN CARR-HARRIS’s work appears courtesy Susan Hobbs Gallery, Toronto

YVONNE LAMMERICH
*Ansicht — 4 models of perception*
2022
wood, mirror, paint
62 x 78.5 x 23.5 inches

YAM LAU + NESTOR KRUGER
Abstract Segment (for H)
2022
2 elements; mixed media
each element measures 12 x 14 x 20.25 inches