A simple, effortless and lucid image, and yet the image’s appearance is nonetheless mannered, hesitant and inconclusive. Neither quite here nor there, the oblique image resonates and displaces both the picture plane and the edges of the panel in a perceptual conundrum. In this play of the oblique, both inner and outer, the ambiguity of the image is extricated into the “real” space of the gallery. A self-reflexivity works across different dimensional propositions — between the digital/fictional image and actual/real space. In deploying the same mannered adjustment in each spatial register, the presence of the image is perpetually delayed and reserved.